Lowlifes, the 2024 horror-comedy from directors Tesh Guttikonda and Mitch Oliver, is a nasty, clever little film that gleefully subverts decades of familiar backwoods horror tropes. Written by Al Kaplan, known for his work on Terrifier 2, the movie opens with a seemingly typical setup: a straight-laced suburban family traveling in an RV crosses paths…
Steven C. Miller’s 2022 horror-thriller, Margaux, takes the familiar trope of the college friends’ weekend getaway and injects it with a cautionary dose of AI anxiety. A group of college seniors, including the tech-savvy Hannah (Madison Pettis), rent a luxurious, isolated “smart house” for their last hurrah. The house is controlled by the titular artificial…
Director Chris McKay’s Renfield is a gloriously over-the-top, action-horror comedy that smartly reframes the classic Dracula story around his long-suffering familiar, R.M. Renfield (Nicholas Hoult). After a century of toxic servitude to Count Dracula (Nicolas Cage), Renfield is weary of procuring victims and has found solace in a New Orleans support group for codependent relationships….
The found-footage subgenre is rarely this clever, but the Australian directing duo, Colin and Cameron Cairnes, deliver a masterclass in period horror with Late Night with the Devil. The film presents itself as the salvaged master tape of a catastrophic 1977 Halloween special of the fictional talk show, Night Owls with Jack Delroy.
Francis Ford Coppola’s 1992 adaptation of Bram Stoker’s Dracula is a confounding cinematic experience. On one hand, it’s a staggering achievement in Gothic production design, reveling in lush period costumes and Oscar-winning visual opulence. On the other, the film’s obsessive commitment to Victorian melodrama and grand theatricality renders it nearly unwatchable by modern horror standards.
André Øvredal’s The Autopsy of Jane Doe is a tight, unnerving descent into terror, proving that sometimes the deepest fear is found in stillness. The film centers on father-and-son coroners, Tommy (Brian Cox) and Austin Tilden (Emile Hirsch), working in their small-town morgue. Their late-night routine is shattered by the arrival of an unidentified female…
John Fawcett’s Ginger Snaps stands as a landmark of feminist horror, brilliantly disguising a raw coming-of-age narrative within a vicious werewolf movie. Set in the sterile purgatory of a suburban town, the film centers on morbid, death-obsessed sisters Ginger and Brigitte Fitzgerald. They have only each other until Ginger is attacked by a beast, sparking…
Michael Dougherty’s directorial debut, Trick ‘r Treat, is less a horror film and more a definitive, dark-humored love letter to the Halloween season. Filmed in 2007 but controversially sidelined by the studio until a 2009 direct-to-DVD release, this anthology has since rightfully earned its status as essential annual viewing.